Showing Records: 1 - 20 of 413
30% Off Sale / Lame Duck Books ; Adorno T ; Altman N ; Apollinaire G ; Ashbery J ; Beckett S ; Benjamin W ; Borges J ; Bowles P ; Butor M ; Cabrera-Infante G ; Calvino I ; Celan P ; Crombie J ; Desnos R ; Ernst M ; Eluard P ; Garcia Lorca F ; Gass W ; Huidobro V ; Jess ; Joyce J ; Khlebnikov V ; Lewis WP ; Ray M ; Mayakovsky V ; McLuhan M ; Merton T ; Paz O ; Perec G ; Spoerri D., 2004
1902-1973 edited by Karel Srp / Hoffmeister, Adolf ; Apollinaire G ; Aragon L ; Barthes R ; Biebl K ; Breton A ; Burian EF ; Cendrars B ; Ehrenberg I ; Estorick E ; Havel V ; Hausmann R ; Joyce J ; Kafka F ; Kolar J ; Mayakovsky V ; Rauschenberg R ; Ribemont-Dessaignes G ; Seifert J ; Soupault P ; Sima J ; Styrsky J ; Teige K ; Tzara T ; Voskovec J ; Werich J ; Srp K ; Nezval V ; Capek K ; Cocteau J., 2004
A History of Graphic Design / Meggs, Philip B. ; Apollinaire G ; Balla G ; Ball H ; Baskerville J ; Bass S ; Bayer H ; Berlewi H ; Burliuk D ; Carra C ; Carroll L ; Chermayeff I ; Chwast S ; VanDoesburg T ; Duchamp M ; Gill E ; Greiman A ; Gropius W ; Hausmann R ; Hoch H ; Itten J ; Lissitzky E ; Lubalin H ; Malevich K ; Mallarme S ; Ray M ; Marinetti FT ; Schwitters K ; Telingater S ; Tzara T ; Zapf H ; Iliazd ; Zwart P ; Arp H ; Arntz G ; Bill M ; Blake W ; Boccioni U ; Breton A ; Brodovich A ; Carroll L ; Cassandre AM ; Cobden-Sanderson TJ ; Dwiggens WA ; Ehrenburg I ; Ernst M ; Grosz G ; Herzfelde W ; Huelsenbeck R ; Koch R ; Lustig A ; Magritte R ; Moholy-Nagy L ; Morris W ; Papini G ; Rand P ; Rodchenko A ; Russolo L ; Sandberg W ; Schlemmer O ; Schmidt J ; Severini G ; Simmias of Rhodes ; Soffici A ; Spencer H ; Stankowski A ; Stenberg G ; Stenberg V ; Tatlin V ; Tschichold J ; Zdanevich I ; Nadar ; Sutnar L ; Beltran F ; Eluard P ; Glaser M ; Goines D ; Heartfeld J ; Holz A ; Kepes G ; Klinger J ; Klee P ; VanDerLeck B ; Malevich K ; Mallarme S ; Neurath O ; Ruder E ; Thompson B ; Venturi R ; Werkman HN ; Yamashiro R ; Massin R ; Ionesco E ; Fletcher A ; Weingart W ; Feininger L., 1983
Philip Meggs has written the most throughly illustrated, definitive history of graphic communications. In the epilogue, Meggs notes the following: "At the time of this writing human affairs are undergoing a new revolution comparable to the industrial revolution that launched the machine age. Electronic circuitry, microprocessors, and computer-generated imagery threaten to radically alter our culture's images, communications processes,and the very nature of the work itself. Graphic design, like many other sources of human activity, is undergoing profound changes." -- Source of annotation: Marvin or Ruth Sackner.
A History of Graphic Design - Second Edition / Meggs, Philip B. ; Apollinaire G ; Balla G ; Ball H ; Baskerville J ; Bass S ; Bayer H ; Berlewi H ; Burliuk D ; Carra C ; Carroll L ; Chermayeff I ; Chwast S ; VanDoesburg T ; Duchamp M ; Gill E ; Greiman A ; Gropius W ; Hausmann R ; Hoch H ; Itten J ; Lissitzky E ; Lubalin H ; Malevich K ; Mallarme S ; Ray M ; Marinetti FT ; Schwitters K ; Telingater S ; Tzara T ; Zapf H ; Iliazd ; Zwart P ; Arp H ; Arntz G ; Bill M ; Blake W ; Boccioni U ; Breton A ; Brodovich A ; Carroll L ; Cassandre AM ; Cobden-Sanderson TJ ; Dwiggens WA ; Ehrenburg I ; Ernst M ; Grosz G ; Herzfelde W ; Huelsenbeck R ; Koch R ; Lustig A ; Magritte R ; Moholy-Nagy L ; Morris W ; Papini G ; Rand P ; Rodchenko A ; Russolo L ; Sandberg W ; Schlemmer O ; Schmidt J ; Severini G ; Simmias of Rhodes ; Soffici A ; Spencer H ; Stankowski A ; Stenberg G ; Stenberg V ; Tatlin V ; Tschichold J ; Zdanevich I ; Nadar ; Sutnar L ; Beltran F ; Eluard P ; Glaser M ; Goines D ; Heartfeld J ; Holz A ; Kepes G ; Klinger J ; Klee P ; VanDerLeck B ; Malevich K ; Mallarme S ; Neurath O ; Ruder E ; Thompson B ; Venturi R ; Werkman HN ; Yamashiro R ; Massin R ; Ionesco E ; Fletcher A ; Weingart W ; Leger F ; Licko Z ; Brody N ; Scher P ; Longhauser W ; Aragon L ; Feininger L ; Friedman D ; Kunz W ; Stein G ; Steinitz K ; VanderLans R ; Vignelli M ; Warde B ; Depero F., 1992
This second edition attempts to provide a conceptual and pictorial overview of significant graphic-design accomplishments. The book is organized into five general chronological sections: The Prologue to Graphic Design; A Graphic Renaissance; The Industrial Revolution; The Modernist Era; The Information Age. Each section is then divided thematically into chapters. This edition has expanded content, revised format and typography, timelines for each section and an expanded bibliography. In keeping with the Epilogue in the first edition, Meggs designed the dust jacket of this second edition using computer generated graphics. Although the number of pages in the second edition is slightly smaller than the first edition, this is because the font size is smaller; actually, the text has been expanded to cover recent contemporary trends in graphic design. -- Source of annotation: Marvin or Ruth Sackner.
A History of Graphic Design - Third Edition / Meggs, Philip B. ; Apollinaire G ; Balla G ; Ball H ; Baskerville J ; Bayer H ; Berlewi H ; Burliuk D ; Carra C ; Carroll L ; Chermayeff I ; Chwast S ; VanDoesburg T ; Duchamp M ; Gill E ; Greiman A ; Gropius W ; Hausmann R ; Hoch H ; Itten J ; Lissitzky E ; Lubalin H ; Malevich K ; Mallarme S ; Ray M ; Marinetti FT ; Schwitters K ; Telingater S ; Tzara T ; Zapf H ; Iliazd ; Zwart P ; Arp H ; Arntz G ; Bill M ; Blake W ; Boccioni U ; Breton A ; Brodovich A ; Carroll L ; Cassandre AM ; Cobden-Sanderson TJ ; Dwiggens WA ; Ehrenburg I ; Ernst M ; Grosz G ; Herzfelde W ; Huelsenbeck R ; Koch R ; Lustig A ; Magritte R ; Moholy-Nagy L ; Morris W ; Papini G ; Rand P ; Rodchenko A ; Russolo L ; Sandberg W ; Schlemmer O ; Schmidt J ; Severini G ; Simmias of Rhodes ; Soffici A ; Spencer H ; Stankowski A ; Stenberg G ; Stenberg V ; Tatlin V ; Tschichold J ; Zdanevich I ; Nadar ; Sutnar L ; Beltran F ; Eluard P ; Glaser M ; Goines D ; Heartfeld J ; Holz A ; Kepes G ; Klinger J ; Klee P ; VanDerLeck B ; Malevich K ; Mallarme S ; Neurath O ; Ruder E ; Thompson B ; Venturi R ; Werkman HN ; Yamashiro R ; Massin R ; Ionesco E ; Fletcher A ; Weingart W ; Leger F ; Licko Z ; Brody N ; Scher P ; Longhauser W ; Aragon L ; Feininger L ; Friedman D ; Kunz W ; Stein G ; Steinitz K ; VanderLans R ; Vignelli M ; Warde B ; Depero F ; Zwart P ; Warde B ; Vignelli M ; VanDerLeck B ; Thompson B ; Steinitz K., 1998
This third edition provides hundreds of new full-color illustrations and new material in areas such as alphabets, Japanese and Dutch graphics, and the computer revolution. The book is organized into five sections: The Prologue to Graphic Design; A Graphic Renaissance; The Industrial Revolution; The Modernist Era; The Age of Information. Each section is then divided thematically into chapters. This edition has expanded content, revised format and typography, timelines for each section and an expanded bibliography. In keeping with the Epilogue in the first and second editions, Meggs designed the dust jacket of this second edition using computer generated graphics. The expansion in this revision relates mainly to th edigital revolution in typography and the new "dirty" typography. -- Source of annotation: Marvin or Ruth Sackner.
A List in Place of an Exhibition / Heart Fine Art ; Apollinaire G ; Art & Language ; Barry R ; Beuys J ; Boltanski C ; Boetti A ; Broodthaers M ; Brouwn S ; Byars JL ; Ray M ; Ernst M ; Finlay IH ; Huebler D ; Kawara O ; Magritte R ; Matta-Clark G ; Nash J ; Morgan E ; Ruppersberg A ; Soupault P ; Vostell W ; Weiner L., 2003
A Rhetoric of the Unreal: Studies in Narrative & Structure, Especially of the Fantastic , 1981
A Selection of Rare Books / Sims Reed ; Jacob M ; Picasso P ; Goncharova N ; Kruchenykh A ; Khlebnikov V ; Arp H ; Tzara T ; Breton A ; Apollinaire G ; Eluard P ; Iliazd ; Ernst M ; Tanguy Y ; Braque G ; Bertini G ; Roth D., 2010
A Selection of Rare Books / Sims Reed ; Mallarme S ; Apollinaire G ; Cravan A ; Orloff C ; Klein Y ; Duchamp M ; Ruscha E ; Williams M ; Brus G ; Roth D ; Broodthaers M ; Johns J ; Beckett S ; Wool C ; Hirst D ; Boltanski C ; Buren D ; Praetorius MJ ; Marcoussis L ; Driticol F ; deChirico G ; Hugnet G ; Sudek L ; Maccheroni H ; Gilbert & George., 2013
A Show on Cubism Stress Affinities with Writers / Glueck, Grace; Apollinaire G; Cendrars B., 1983
A Stein Reader edited by Ulla E. Dygo / Stein, Gertrude ; Apollinaire G., 1996
This volume concentrates on Stein's experimental works many of which were previously unknown. The editor's textual scholarship "demonstrates Stein's constant questioning of the conventions of language, writing, and reading and her stunning subversion of the authority of language." -- Source of annotation: Marvin or Ruth Sackner.
Adventures in Pataphysics / Chimes, Thomas ; Jarry A ; Artaud A ; Apollinaire G ; Baudelaire C ; Rimbaud A ; Joyce J ; Verlaine P ; Proust M ; Duchamp M ; Wittgenstein L ; Finlay IH ; Smithson R., 2007
This exhibition featured portraits of famous literary and artistic persons. -- Source of annotation: Marvin or Ruth Sackner.
Alfabets anvandning Konkret poesi poetisk artifaktion i svenski-tal (The Use of the Alphabet. Concrete Poetry and Poetic Artifice in the Swedish 1960s / Olsson, Jesper ; Apollinaire G ; Artaud A ; Bengtsson M ; Bernstein C ; Bjork A ; Bodin LG ; Burroughs WS ; Cobbing B ; Khlebnikov V ; Derrida J ; Drucker J ; Duchamp M ; Dworkin C ; Eco U ; Ekbom T ; Fahlstrom O ; Gomringer E ; Guattari F ; Hammarberg J ; Hayles NC ; Higgins D ; Hertzberg F ; Hodell A ; Hultberg T ; Hoglund B ; Ingvarsson J ; Johnson B ; Joyce J ; Kessler D ; Key-Aberg S ; Kittler F ; Klintberg B ; Kristeva J ; Kruchenykh A ; Laaban I ; Lagerlof KE ; Lindegren E ; Lilja E ; Mallarme S ; Manovich L ; McCaffery S ; McLuhan M ; Noren L ; Nylen L ; Olsson B ; Perloff M ; Phillips T ; Reutersward CF ; Solt ME ; Akesson S ; Belloli C ; Lemaitre M ; Pignatari D ; Simmias of Rhodes ; Hrabanus Maurus ; Tzara T ; Stefans BK., 2005
This printing of a Doctural thesis deals mainly with Swedish concrete poets, most notably Fahlstrom. Olsson visited the Sackner Archive in the early 2000s to scan material for this thesis. He is also one of the Co-Editors-In-Chief of Oei magazine. -- Source of annotation: Marvin or Ruth Sackner.
Almanach Demi Stock No.3: Espaces de Notre Temps / Galerie 1900-2000 ; Wolfli A ; Apollinaire G ; Larionov M ; Duchamp M ; Torres-Garcia J ; Ernst M ; Hoch H ; Jean M ; Ray M ; Styrsky J ; Dotremont C ; Jorn A ; Reutersward CF ; Michaux H ; Klein Y ; VanDoesburg T ; Hausmann R., 1986
Anthologie du Cinema Invisible: 100 Scenarios pour 100 Ans de Cinema / Janicot, Christian, editor ; Albert-Birot P ; Apollinaire G ; Artaud A ; Audiberti J ; Ayme A ; Bataille G ; Brossa J ; Burroughs WS ; Cendrars B ; Cornell J ; Depero F ; Desnos R ; Duchamp M ; Dufrene F ; Filliou R ; Brecht G ; Ginsberg A ; Goll Y ; Henry M ; Magritte R ; Mayakovsky V ; Malevich K ; Miller H ; Moholy-Nagy L ; Nezval V ; Noel B ; Perec G ; Peret B ; Picabia F ; Ribemont-Dessaignes G ; Roche M ; Seuphor M ; Soupault P ; Stein G ; Survage L ; Teige K ; Vian B ; Villegle J ; Weiner L., 1995
This book reprints, in dazzling, different, typographical layouts, film scripts and criticisms by avant garde writers and poets of the 20th century. The book, which is designed with several different colored papers and typefaces, received a prize for Arts and Essays from the National Center of Cinematography in France. Typewriter poetry is present on the film scenario of Fortunato Depero and sound poetry in the script by Francois Dufrene. Picture poems are depicted in the Fluxus film scripts by Robert Filliou and George Brecht. Villegle's script includes his typical ideograms. Lawrence Weiner's script is uncharacteristically dense in content and more visual/verbal than his usual works. -- Source of annotation: Marvin or Ruth Sackner.
Apollinaire: A Variation / Finlay, Ian Hamilton; Hincks, Gary; Apollinaire G., 1997
This poem, based on "Il Pleut" by Apollinaire, has drawings of little leaves instead of the letters. This symbolizes the falling of leaves in the fall rather than rain as in the original poem. -- Source of annotation: Marvin or Ruth Sackner.
Apollinaire, Visual Poetry and Art Criticism / Bohn, Willard ; Apollinaire G., 1993
Bohn analyzes Apollinaire's exhibition catalog dealing with Leopold Survage and Irene Lagut using calligrams of prose as the vehicle for his critique. Bohn is especially intrigued with the rare handcolored edition of the catalog that he mentions is owned by the Columbia University rare book collection; it was the only copy he was able to find. Just after publication of his book, Bohn visited the Sackner Archive and learned of its handcolored edition - too late to include in the book. -- Source of annotation: Marvin or Ruth Sackner.
Approaching the Border / Brannen, Jonathan ; Pettis, Ruth ; Apollinaire G ; Reverdy P., 1982
Four constructivist drawings were done by Ruth Pettis. -- Source of annotation: Marvin or Ruth Sackner.